Authored by Tom Luongo via Gold, Goats, 'n Guns blog,

The COVID-9/11 pandemic is over. With the failure of Omicron to capture the imaginations of only the most unimaginative midwits, the question now is how do we move forward from here.

While we can rejoice that the threat to life and limb from COVID-9/11 may be effectively over, there is still the threat in its name to our liberty and sanity from those who profit most from the fear of the virus.

The aftershocks from COVID-9/11 will be with us for the foreseeable future. An entire generation has been scarred by this manufactured apocalypse and there will be no going back to the way things were.

We’d been warned by so many for so long. From investigative journalists, to the rare honest politician to the film-makers and artists who crafted stories for us to contemplate the lurking dangers in our deteriorating society.

Conditions were ripe for those in power to take maximal advantage of the fear from COVID-9/11. And they did so, enthusiastically.

The warnings were clear. There are toxic people out there who would rather destroy the world to hold onto their power rather than admit defeat.

Looking at where we are now reminds me, funnily enough, of 2015’s Mad Max: Fury Road. A brilliant fever dream of a movie that portrayed a world in a post-rational, post-civilizational state.

At it’s core Fury Road’s conflict is asking the question, “Who broke the world?” History had been erased to the point where the people living in this hell couldn’t even form the question into an indictment beyond the most base and reductionist caricature of gender roles.

Those who think this is the movie’s perspective have read it all wrong, unfortunately. It’s easy to do given the elevation of Furiosa to near leading lady status. Many have remarked that Mad Max is a bystander in his own movie.

They, again, are wrong. Max, in all of the sequels to the original, has been this mythic figure who wanders into a deeply disturbed existential crisis for some outpost in the Wasteland. That’s the setup for these films. And in this one he is brought into the most out-of-balance one yet, where every destructive tendency of men and masculinity runs rampant and has strangled the people and the last outpost of life nearly to death.

Bear with me, this stuff is really important.

Man? Woman? I’m the Guy With the Microphone

Back to the ‘real world.’

Thankfully in our post-COVID world we still have some sense of our history, though those in charge have decided to only allow a version of it that is even more cartoonish than the world of Fury Road in an attempt to erase it.

Every instance where someone tries to frame a counter-argument to this cartoon is met with ever more strident claims of gender oppression and white supremacy.

We’ve reached a point where those with any dissenting point of view are systematically shut down, censored, silenced or worse. Words are violence in the new Woke West, dontcha’ know? But by taking the position that the ‘other side’ isn’t allowed to speak, they speak volumes about the fragility of their grasp on power.

Ideas that cannot be challenged, that cannot bear even the slightest scrutiny, are ideas that can’t evolve. It doesn’t matter whether they are right or wrong.

They are static, mechanical and ultimately devoid of life itself.

This is our world today in the hands of the Woke Left, a world where the destructive and vindictive feminine has been elevated to the point of unimpeachable rightness. But this isn’t any kind of healthy feminine. It’s a Furiosa-like feminine, devoid of nurturing, all implied violence, all sexuality suppressed to the point of masculinity.

Look at Furiosa and tell me it isn’t asking another vital question, “In a dying world, is there any room for fertility while clinging like moss for survival?”

In our world feminism has robbed women of their greatest attribute, the ability to gestate and nurture life itself. Hollywood has spent two generations giving us female action heroes who are ultimately nothing more than Doods with Boobs. It’s the ultimate power fantasy of Third Wave feminism.

It’s not as destructive an archetype as the sluts on Sex in the City, mind you, because at least it can be tied in some ways back to motherhood, i.e. Ripley in James Cameron’s Aliens, but it’s still damaging to the cause of the healthy feminine nonetheless.

Furiosa is what happens when gender roles are maximally out of balance.

This claiming of the microphone, this flooding the airwaves with anti-white/anti-male propaganda is itself a very dangerous strategy. First, because it’s disgusting and hateful but second, because it will spark a pendulum swing that will shock everyone.

By not allowing people to speak and work through what is bad AND good about the state of the world, it robs people of more than their voice. It robs them, ultimately, of their identity.

Which brings me back to Fury Road.

The Man With No Name

Max never refers to himself as Max in Fury Road until the very end. Even in the unfortunate Mad Max: Beyond Thunderdome he’s some other persona — “Raggedy Man,” “The Man With No Name,” or the reincarnation of “Captain Walker.”

He’s lost everything, including his sense of self. He’s purely a survivor now. There is no Max anymore. The Wasteland has stripped him of this.

Multiple times in Fury Road he’s asked his name. Every time he doesn’t answer.

This is the key to reading Fury Road as a Mad Max movie, not a Furiosa movie, as the woke propagandists who masquerade as film critics and commentators would have you believe.

Furiosa knows what she is, she’s looking for redemption for her sins, which are she abandoned her fertility to serve a literal blood god who farms women for their breast milk and given his Warboys purpose only through their sacrifice to him if only to be ‘witnessed’ doing so.

There is no life for the Warboys in this world, since they can’t reproduce, so their initiation into manhood is becoming ‘shiny and chrome,’ worshipping their cars — the only recognizable technology left from the old world, except for guns.

They worship the mechanical, the cold, the lifeless. Cars don’t bring life. But all that repressed energy gets turned into the grotesque creations they drive (insanely) across the Wasteland. They are the ultimate symbol of the static masculine.

The only things this economy produces is food, guns, and gas.

Since Immortan Joe hordes everything, especially the water and the food, he can maintain the stranglehold on life itself, the only women capable of giving birth.

Into this nightmare a healthy Max is a resource, a literal blood bank, who gets caught up in Furiosa’s plans to escape with the only symbols of fertility left in this world, the concubines.

From here Fury Road is that redemption plot we all know so well. But they don’t find redemption in the Wasteland, only the seeds to rebuilding the world. It is Max who realizes the only life left is back where they came from.

And it quite literally says, there is no ‘better world’ out there than the one we live in. To begin unbreaking the world you have to go back to the one you have and fix it. You can’t run away. Clean your room, if I can invoke Dr. Peterson here.

It is on this leg of the Fury Road that Max and Furiosa fully work together to bring down the charnal house that Joe built.

It’s only then when he freely gives up some of himself, his blood, to save Furiosa at the end that he offers her his name, regaining his identity for the first time since the Toecutter’s gang ran down his wife and daughter when the world was only damaged, not broken.

And it is with that simple act of kindness, that Fury Road asserts itself as Max’s movie.

But Max still sins that he can’t wash away. He will forever be the gargoyle that guards the gates of the cathedral. It’s not because men aren’t welcome there. Furiosa knows now what good men look like. The balance between men and women can begin again but not with Max.

He knows what he is and knows salvation isn’t for men like him.

This is why he can’t ascend to the Promised Land at the end of the film, just like each previous film in the series. It has zero to do with the film being woke or dismissive of men in any symbolic sense.

Healing the Gender Divide

Unfortunately, our divided world has destroyed our ability to recognize any balance in this conversation. As I’ve previously argued about the Disney Star Wars films, the deep divisions between men and women, the inversion of gender roles in our society, clouds our judgment of them because so many are afraid of the answers they offer.

YouTube has empowered an entire sub-culture of MGTOW’s, itself the ultimate expression of male weakness in the face of toxic femininity, to obsess about these things and drive ad revenue to them.

Their hate has made them powerful. They hold sway over a whole rotten sub-culture wallowing in their hate.

We have a toxic femininity problem. Retreating into masculine safe spaces looks attractive, a kind of ‘Going Galt’ until women get less crazy. But it’s the wrong response. Because those same women who say the most hateful things about men, are really pleading for us to step up and be protectors, like Max becomes to Furiosa and the other women.

Saying any of that doesn’t mean we didn’t or don’t have a toxic masculinity problem. But the way to female strength is not denying men or white people or binaries or whatever the fuck they’re labeling us with today access to the microphone. That way madness lies.

That way leads to Immortan Joe and a broken world where the reality of male physical superiority is left unchecked by the tempering presence of the divine feminine and their ability to bring life into the world.

Unfortunately, we live in a world ruled by Communists who spend every waking hour undermining these basic truths about humanity in their Quixotic quest for power and control.

The chaos of COVID-9/11 while we’re all anxious about our failing economic system, a creation of rent-seeking oligarchs, erecting this Citadel of Exclusion is now condoned by previously normal people gripped by a madness that is far deeper than we want to admit to ourselves.

Friends and family, storeowners and co-workers have been transformed into self-hating monstrosities willing to reduce everything that represents a challenge to their worldview into a symbol of oppression that further proves their loyalty to the nascent medical-industrial complex.

COVID-9/11 drove far too many to this state. They reject the basics of virology, immunology and common sense to support their need for order. As the world broke they sunk further into madness, unable to cope anymore with the basic risks of living in the real world.

I’d go off on a rant about how destroying risk assessment in capital markets and the creation of new money through debt and financialization feeding the solipsism that we’d conquered the scarcity problem in modern society, but why bring up facts in an era where people have become allergic to them?

Getting off the Shining Path

This fear of living is what drives people to become cheerleaders for tyranny. To love their muzzles, proudly display their vax cards and fetishize their subservience to an authority just two years ago most would have distrusted to their core.

The same people who marched on D.C. in support of ‘gender equality’ in the name of a women’s right to choose to murder their unborn children now want to deny the unvaxxed a seat at the civilizational table. Got news for you, folks, there’s a barbarian in this room, and it ain’t the unvaxxed.

Now a false sense of shared purpose to fight the illusion of a pandemic energizes their fear, amplifies it into anger for those that disbelieve this illusion and turns it into self-righteous resentment for lengthening their agony.

Just get the clot shot, they argue and come on board for the big win over COVID, they screech from behind their shiny grills.

If it wasn’t so despicable and naïve, it would almost be tragic.

Because we, like the people of the world of Fury Road, are all in agony, even those that support what little societal order there is left.

This is the post-COVID world Davos has planned for us, worshipping the images of ourselves on our screens. Shaking our asses nihilistically on Tik-Tok or OnlyFans, if only to be ‘witnessed’ in our debasement for a few minutes. Trading our dignity for a dopamine hit and our principles for a paycheck.

The push now is to take from the heretics to the COVID-9/11 Death Cult all that is left of the old world. The Immortan Joes of Davos will hoard their part of the shrinking pile of assets and send out their diseased and maniacal Warboys (and girls) to enforce this new Utopia.

Arguing with conviction the unvaxxed should be left in the cold, unable to leave their homes, take a walk in the sun, share a meal with their loved ones or have access to medical care.

Unlike Fury Road we know who broke the world. They did.

But they blame those still willing to face the risk of living in the real world from partaking in it, lest we make a mockery of their selfishness and unquenchable envy.

That’s what scares them the most. And that’s where we find the strength to stare them down and build our own ways forward. Because if we don’t start doing that now, if we don’t stop pining for the world that was and accept the world that is, there is no hope of fixing anything.

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