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Liverpool’s unsung COVID heroes: how the city’s arts scene became a life support network

New research shows the region’s arts organisations were a critical source of support for vulnerable people during lockdown

Culture was always a large part of my life. But when we all had to rush home in March 2020, I felt like I lost it on the way – as if I’d left it on the bus in a bag. It’s making me question my future: what will be left when all this ends? How many venues, how many bands, how many theatres, how many art galleries?

You are never far away from culture in Liverpool. The forthcoming host of the 2023 Eurovision Song Contest on Ukraine’s behalf has long pioneered the idea of “arts as life support” – via initiatives such as The Life Rooms, which uses a library and theatre (among other sites) to engage people in cultural activities as part of its social health model.

While COVID required the temporary suspension of many in-person arts offerings, it also sparked a remarkable shift in how the city’s arts organisations and charities operated. As government health and welfare services shut down or struggled to adapt to the crisis, cultural organisations stepped in to provide vital support – including, in some cases, fundamentals of food and heating – to their networks of participants and audiences whose usual care was falling short. As one Liverpool arts organiser recalls:

I was phoning people asking: “Have you got food, have you been to your GP, did you get your prescription sorted?” But sometimes they just wanted to have somebody to have a laugh with – some human interaction.

Liverpool has long struggled with some of the poorest mental health levels in the UK. For those most at risk of loneliness and mental distress, COVID delivered a further devastating blow. At the peak of the pandemic in November 2020, almost one in five adults in the Liverpool City Region were suffering from a “common” mental health problem such as depression or anxiety – exacerbated by some of the highest deprivation indicators in England.

Our new research shows that access to arts activities during lockdown was a crucial lifeline for many people throughout Liverpool. One interviewee referred to cultural contacts as their “lifeblood” during those days of isolation, while another said: “Online arts activities opened a locked door, letting in some light during a very dark time for me.”

Exploring the mental health impacts of restricted access to arts during COVID across Liverpool.

Picking up the pieces

The Choir With No Name is a national charity with choirs in London, Birmingham and Brighton as well as Liverpool, all supporting people affected by homelessness. Prior to the pandemic, the Liverpool branch would meet once a week – first to catch up socially, then to rehearse a forthcoming gig before finally sharing a hot meal cooked by volunteers.

According to the choir’s manager: “For many of our [homeless] members, it’s the only sense they get of sitting down and sharing food as a family. Sometimes coming in and getting a hug can be the only physical contact they’ve had all week.”


This story is part of Conversation Insights
The Insights team generates long-form journalism and is working with academics from different backgrounds who have been engaged in projects to tackle societal and scientific challenges.


When COVID struck, choir members – who were typically in the “middle ground” of need – were largely left to fend for themselves by the authorities. The choir’s volunteer staff had been used to helping them deal with GPs, housing, police and other services. But when many of these services suddenly shut down, the volunteers were left “picking up the pieces – and picking them up quickly”:

There were so many people who lost the ability to get food from anywhere … People who were street homeless actually had better provision of care than people in a bedsit, where you were just abandoned. I spent a lot of time in those first months sorting food for people and making sure they had electricity. One member’s housing provider left them with no water for four days because they didn’t understand how to communicate with somebody who was vulnerable, so we had to step in.

What soon became clear, says the choir’s manager, is that the more informal nature of many arts charities enabled them to fill crucial gaps where they were needed:

An organisation like ours works in an unofficial way – we’re not the social worker or housing association. We’re left with a lot more freedom to support people in the way they actually need to be supported, instead of ticking the boxes that these statutory services have to tick.

For Liverpool-based charity The Reader, arts provision and social care proved inseparable during the pandemic. Having grown out of a single reading group in Birkenhead library, The Reader brings people together in a variety of health, community and secure care settings to read short stories, novels and poetry aloud. According to its head of teaching and learning:

An awful lot of what we do is directed towards mitigating the disastrous effects of loneliness and social isolation. But that lifeline was immediately taken away by COVID. A big area of our work is in care homes, and a lot of our volunteers just could not get inside them at that time.

This led to Reader volunteers setting up a big screen in the lounge of one Liverpool care home so that its residents – otherwise completely isolated from the outside world – could gather around the screen to hold their readings. “Lifeline packs” of stories and poems were also supplied: “We knew if we could get them into the hands of somebody working on the premises, they could distribute them.”

The Reader also partnered with homeless charities to offer shared reading sessions over the phone for people suddenly living alone in a single room 24 hours a day. One recipient told us that getting this call was “a highlight of my week … a salvation”.

A digital crash-course

Vulnerable as small arts organisations were to the economic impacts of lockdown, their relative freedom from bureaucratic constraints – coupled with their energetic creativity – meant they could adapt quickly to the new COVID conditions, including by delivering their shows, events and workshops online.

Prior to the pandemic, the use of online technology had been viewed with some scepticism. A video or audio version seemed counterintuitive for an activity whose raison d’etre is the power of in-person performance and connections.

“If you’d have asked me the week before the theatre closed [for lockdown] whether our drama activities could translate into something digital, I’d have been really sceptical,” recalls the Liverpool Playhouse’s then-director of social learning. “Yet so enormous was the impact of lockdown on our group members, we started our drama Zoom events the following week.”

“Not being the massive organisation that the NHS is” meant the Playhouse could quickly establish a creative wellbeing programme, running between eight and 15 sessions each week.

The speed of the pivot to online provision among Liverpool’s cultural organisations was remarkable. Within three weeks, The Reader was delivering shared Zoom reading sessions not only to its Liverpool members but internationally, twice weekly. It also developed a series of programmes for national prison radio that reached 120 prisons every day.

COVID proved a powerful catalyst for arts organisations to make the switch to digital offerings. As one creative writing practitioner puts it:

We’ve all had a crash course in the feasibility and practicality of online delivery of arts. That probably wouldn’t have happened with such speed or sophistication if it hadn’t been driven by the necessity of a global pandemic.

According to the partnerships manager at the Royal Liverpool Philharmonic: “The pandemic has highlighted that we were missing a trick previously as to the diversity of ways of working with people through digital engagement. Some people feel safer online than being physically somewhere.”

In Liverpool, as elsewhere in the UK, online performances, cultural events and workshops were a crucial buffer against loneliness during the pandemic. The account of woman who hadn’t spoken to anybody for a whole week so “found herself talking to the wheelie bin” was not unusual in our research. A beneficiary of the Playhouse theatre’s creative wellbeing programme says that without it: “I would have fallen back into my PTSD stress [as] I’d have been left in the lurch.”


Read more: The magic of touch: how deafblind people taught us to 'see' the world differently during COVID


Retaining cultural connections during the COVID lockdowns has been highlighted as critical for people who were at increased risk of psychological ill-health – with an emphasis on providing them with meaningful activities, not just check-in calls.

A photographer describes how her online sessions led to people “using photography as a way to document what was going on for them. It became quite a cathartic process for many – a therapeutic way to counteract the negative feelings of the lockdown experience.”

Similarly, a creative writing group leader says members processed the emotions that were coming up during the pandemic through their writing – “whether that was grief, anger at the government, or feelings of loneliness”.

Overcoming digital poverty

In its five-year action plan published in February 2021, the Liverpool City Region Cultural Partnership paid tribute to “the creative organisations and people who, despite the odds, were able to reach out to our communities and vulnerable groups to offer a moment of joy [during the pandemic]”.

Yet only a year earlier, at the onset of COVID, the financial and employment situation of many of these organisations had looked perilous. In addition to a severe loss of income from visitors to the city, as many as 60% of Liverpool’s estimated 15,000 freelance creative workers faced redundancy overnight.

Due to the complex nature of professional contracts in the creative industries, many employees did not qualify for the government’s furlough or self-employed support schemes. Across the entire region, 62% of musicians were unable to benefit from either scheme.


Read more: 'We will not forget our colleagues who have died': two doctors on the frontline of the second wave


In March 2020, Arts Council England announced a £160m Emergency Response Package to help alleviate the immediate pressures faced by arts organisations and artists. Across Liverpool, some organisations used this fund to ensure continued connectivity among their members, recognising that digital poverty was as fundamental an issue to overcome in tackling social isolation as the provision of food and heating.

An arts centre running a programme for people with learning disabilities found that many participants had neither mobile data nor wifi – so it used some of the emergency fund to purchase iPads and data for them. There was an added bonus to this kind of initiative: distributing laptops and other digital hardware helped organisations sustain contact with their hardest-to-reach members – asylum seekers, refugees and vulnerable migrants – when “official” support organisations had closed their doors.

But while this rapid switch to digital was both necessary and valuable, arts providers and recipients still describe their sense of loss at moving online – both in terms of the unfulfilling quality of some digital experiences, and missing the wider enrichments that go with in-person cultural experiences and events.

“In a room you can read the energy – you read how people are feeling,” says the co-director of one dance organisation. “Over 20 years of leading dance activities, I might have a plan for a class but it always alters slightly depending on the people in the room. We can do that to an extent online, but if people aren’t sharing the things you can see in a physical space, you’re unable to respond.”

When the COVID lockdowns finally lifted, organisations echoed one another in describing their “joyous” responses as in-person activities resumed – “just that joy of connection … that joy of being able to come back into a space”.

Collaborating with the NHS

The importance of Liverpool’s cultural organisations to the city was underlined by the closeness of many partnerships with healthcare providers during the pandemic.

Royal Liverpool Philharmonic had already been working for more than a decade with Mersey Care NHS Foundation Trust on a music in mental health programme. When COVID struck, it held Zoom sessions in secure hospitals for people sectioned under the Mental Health Act. Hospital staff reported resultant changes in the ward environment, describing “a happy, warm atmosphere with patients feeling calmer, more positive and having more fun”.

The Liverpool Playhouse, which had begun a partnership with Mersey Care just before the pandemic, found that at the start of lockdown, the NHS trust wasn’t allowed to use Zoom because of governance issues. So their partnership model shifted, with the theatre taking the lead and the trust signposting vulnerable patients to it.

“While officially we couldn’t use the NHS badge,” the theatre’s former director of creativity and social learning explains, “we could see when people really needed support and help – suddenly losing benefits or getting ill – and identify where safeguarding was necessary”. She suggests this has led to an exciting opportunity to “think outside the box”, not just in Liverpool but nationally:

There is going to be a huge increase in the need for wellbeing services, which are already overstretched and oversubscribed. [We need to] think more about how the arts and health sectors can work more closely together.

The recent creation of NHS England’s Integrated Care Systems (ICS) is an endorsement of the value of working with community groups, activities and spaces to deliver better health outcomes. Liverpool is now part of the Cheshire and Merseyside ICS, with a mission to work jointly with a wide range of local partners to tackle inequality and “improve the lives of the poorest fastest”.

Royal Liverpool Philharmonic’s partnerships manager says their experiences during the pandemic have led them to consider “whether we should be focusing our attention more at a neighbourhood level, connecting with GP surgeries in our immediate vicinity”. She is encouraged by the way funding organisations “are now looking at how arts and mental health can be embedded in the NHS’s long-term planning”.

According to The Reader’s head of shared reading programmes, there is now a “really, really exciting” opportunity to create a “radical” shared platform with people working in direct healthcare. People could use the voice they gain through contact with cultural and creative organisations to let healthcare services know what the best form of care is for them.

A new sense of art’s value

Some Liverpool arts organisations are building on their digital successes during the pandemic to design new in-person activities for local communities. My House of Memories is an app based on memory sharing linked to activities offered by National Museums Liverpool. Designed to support people living with dementia as well as their carers and families, the number of users increased to tens of thousands during the first lockdown.

The app’s success has inspired House of Memories On The Road, a 30m² immersive cinema and exhibition space that can be taken into local communities. This physical version offers immersive walks through local landmarks, a trip on Liverpool’s overhead railway, and visits to a 1950s grocery store and 1930s wash day – complete with objects to touch and smell, to stimulate users’ sensory responses and memories.

House of Memories works with community partners to identify those neighbourhoods or elder groups who are experiencing loneliness. Its director explains: “We can drive into local spaces, hospital trust settings, a GP car park or a supermarket. The idea is that we bring the museum to you, wherever you are.”

She adds that a world without arts and culture “would be a very dark and cold place”:

The NHS is there to help us when we’re unwell, but to remain well in the rest of our lives, that’s where arts and culture can play a massive role. What COVID gave us was a real opportunity to shine a light on that value of how important the arts are.

Such initiatives also represent an important part of the “slow return to normality” as the pandemic threat recedes. According to the director of a Liverpool arts centre:

The cultural scene could play a massive part in bringing in people who are less keen to come back because they’re still very worried about COVID. [If] shops and going for a meal aren’t enough to tempt them out, something that’s more meaningful to them like coming to an exhibition, a workshop, the theatre or a concert could be really important for getting people back out, reconnecting and active.

As Liverpool emerges from the ravages of the pandemic, the hit to the city’s creative sector is particularly concerning given its importance to the local economy. Amid a continued risk of closures and loss of creative talent, reduced access to arts and culture for the city’s most vulnerable groups could be very damaging in light of recent research showing the severe impact of the pandemic on mental health across the region.

Yet we have also seen a deepening appreciation of the importance of arts provision during COVID. Liverpool City Region’s 2021 strategic action plan identified a “culture-led and creative response” as being “most likely to be transformational and result in new ways of doing things” – not only in the arts, but for health and wellbeing more generally.

Perhaps just as importantly, the experience of sustaining themselves and others through the COVID ordeal has helped Liverpool’s diverse cultural organisations understand more clearly their role and significance for the regional population – both in-person and online.

Despite the dance tutor’s concerns about what was lost without in-person performances, she highlights that “we now have people from all over the world doing classes when normally we’re [restricted to] Liverpool. It was a really exciting opportunity to share cultures, practices and dance styles.”

Similarly, having been “kind of reluctant” about switching to digital for their annual festival, a writing charity’s programme manager agrees the experience has “highlighted to us the power of what we can do online – this will change the way we work forever”.

Throughout Liverpool and far beyond, we have seen many arts providers step up – despite severe personal challenges – during a period of extraordinary need. And they will surely continue to play a crucial role in processing the pandemic’s impacts for years to come. As The Reader’s head of shared reading programmes concludes:

There’s an embodiment of grief in people now – some of it very real, but also bereavement at having lost almost two years of our lives. So if you don’t create spaces to connect with how we feel, and the thoughts we find difficult to have – whether that’s through music, dance, theatre or literature – I worry that we’re going to be “baking in” fractures into our future society.

This article is part of an Insights series developed with UK Research and Innovation (UKRI) to explore the wider impacts of research carried out during the pandemic. COVID-19 CARE is an AHRC-funded project; here is its final report and online resource.


For you: more from our Insights series:

To hear about new Insights articles, join the hundreds of thousands of people who value The Conversation’s evidence-based news. Subscribe to our newsletter.

Josie Billington receives funding from Arts and Humanities Research Council, UKRI

Ekaterina Balabanova receives funding from Arts and Humanities Research Council, UKRI.

Joanne Worsley receives funding from Arts and Humanities Research Council, UKRI

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International

Four Years Ago This Week, Freedom Was Torched

Four Years Ago This Week, Freedom Was Torched

Authored by Jeffrey Tucker via The Brownstone Institute,

"Beware the Ides of March,” Shakespeare…

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Four Years Ago This Week, Freedom Was Torched

Authored by Jeffrey Tucker via The Brownstone Institute,

"Beware the Ides of March,” Shakespeare quotes the soothsayer’s warning Julius Caesar about what turned out to be an impending assassination on March 15. The death of American liberty happened around the same time four years ago, when the orders went out from all levels of government to close all indoor and outdoor venues where people gather. 

It was not quite a law and it was never voted on by anyone. Seemingly out of nowhere, people who the public had largely ignored, the public health bureaucrats, all united to tell the executives in charge – mayors, governors, and the president – that the only way to deal with a respiratory virus was to scrap freedom and the Bill of Rights. 

And they did, not only in the US but all over the world. 

The forced closures in the US began on March 6 when the mayor of Austin, Texas, announced the shutdown of the technology and arts festival South by Southwest. Hundreds of thousands of contracts, of attendees and vendors, were instantly scrapped. The mayor said he was acting on the advice of his health experts and they in turn pointed to the CDC, which in turn pointed to the World Health Organization, which in turn pointed to member states and so on. 

There was no record of Covid in Austin, Texas, that day but they were sure they were doing their part to stop the spread. It was the first deployment of the “Zero Covid” strategy that became, for a time, official US policy, just as in China. 

It was never clear precisely who to blame or who would take responsibility, legal or otherwise. 

This Friday evening press conference in Austin was just the beginning. By the next Thursday evening, the lockdown mania reached a full crescendo. Donald Trump went on nationwide television to announce that everything was under control but that he was stopping all travel in and out of US borders, from Europe, the UK, Australia, and New Zealand. American citizens would need to return by Monday or be stuck. 

Americans abroad panicked while spending on tickets home and crowded into international airports with waits up to 8 hours standing shoulder to shoulder. It was the first clear sign: there would be no consistency in the deployment of these edicts. 

There is no historical record of any American president ever issuing global travel restrictions like this without a declaration of war. Until then, and since the age of travel began, every American had taken it for granted that he could buy a ticket and board a plane. That was no longer possible. Very quickly it became even difficult to travel state to state, as most states eventually implemented a two-week quarantine rule. 

The next day, Friday March 13, Broadway closed and New York City began to empty out as any residents who could went to summer homes or out of state. 

On that day, the Trump administration declared the national emergency by invoking the Stafford Act which triggers new powers and resources to the Federal Emergency Management Administration. 

In addition, the Department of Health and Human Services issued a classified document, only to be released to the public months later. The document initiated the lockdowns. It still does not exist on any government website.

The White House Coronavirus Response Task Force, led by the Vice President, will coordinate a whole-of-government approach, including governors, state and local officials, and members of Congress, to develop the best options for the safety, well-being, and health of the American people. HHS is the LFA [Lead Federal Agency] for coordinating the federal response to COVID-19.

Closures were guaranteed:

Recommend significantly limiting public gatherings and cancellation of almost all sporting events, performances, and public and private meetings that cannot be convened by phone. Consider school closures. Issue widespread ‘stay at home’ directives for public and private organizations, with nearly 100% telework for some, although critical public services and infrastructure may need to retain skeleton crews. Law enforcement could shift to focus more on crime prevention, as routine monitoring of storefronts could be important.

In this vision of turnkey totalitarian control of society, the vaccine was pre-approved: “Partner with pharmaceutical industry to produce anti-virals and vaccine.”

The National Security Council was put in charge of policy making. The CDC was just the marketing operation. That’s why it felt like martial law. Without using those words, that’s what was being declared. It even urged information management, with censorship strongly implied.

The timing here is fascinating. This document came out on a Friday. But according to every autobiographical account – from Mike Pence and Scott Gottlieb to Deborah Birx and Jared Kushner – the gathered team did not meet with Trump himself until the weekend of the 14th and 15th, Saturday and Sunday. 

According to their account, this was his first real encounter with the urge that he lock down the whole country. He reluctantly agreed to 15 days to flatten the curve. He announced this on Monday the 16th with the famous line: “All public and private venues where people gather should be closed.”

This makes no sense. The decision had already been made and all enabling documents were already in circulation. 

There are only two possibilities. 

One: the Department of Homeland Security issued this March 13 HHS document without Trump’s knowledge or authority. That seems unlikely. 

Two: Kushner, Birx, Pence, and Gottlieb are lying. They decided on a story and they are sticking to it. 

Trump himself has never explained the timeline or precisely when he decided to greenlight the lockdowns. To this day, he avoids the issue beyond his constant claim that he doesn’t get enough credit for his handling of the pandemic.

With Nixon, the famous question was always what did he know and when did he know it? When it comes to Trump and insofar as concerns Covid lockdowns – unlike the fake allegations of collusion with Russia – we have no investigations. To this day, no one in the corporate media seems even slightly interested in why, how, or when human rights got abolished by bureaucratic edict. 

As part of the lockdowns, the Cybersecurity and Infrastructure Security Agency, which was and is part of the Department of Homeland Security, as set up in 2018, broke the entire American labor force into essential and nonessential.

They also set up and enforced censorship protocols, which is why it seemed like so few objected. In addition, CISA was tasked with overseeing mail-in ballots. 

Only 8 days into the 15, Trump announced that he wanted to open the country by Easter, which was on April 12. His announcement on March 24 was treated as outrageous and irresponsible by the national press but keep in mind: Easter would already take us beyond the initial two-week lockdown. What seemed to be an opening was an extension of closing. 

This announcement by Trump encouraged Birx and Fauci to ask for an additional 30 days of lockdown, which Trump granted. Even on April 23, Trump told Georgia and Florida, which had made noises about reopening, that “It’s too soon.” He publicly fought with the governor of Georgia, who was first to open his state. 

Before the 15 days was over, Congress passed and the president signed the 880-page CARES Act, which authorized the distribution of $2 trillion to states, businesses, and individuals, thus guaranteeing that lockdowns would continue for the duration. 

There was never a stated exit plan beyond Birx’s public statements that she wanted zero cases of Covid in the country. That was never going to happen. It is very likely that the virus had already been circulating in the US and Canada from October 2019. A famous seroprevalence study by Jay Bhattacharya came out in May 2020 discerning that infections and immunity were already widespread in the California county they examined. 

What that implied was two crucial points: there was zero hope for the Zero Covid mission and this pandemic would end as they all did, through endemicity via exposure, not from a vaccine as such. That was certainly not the message that was being broadcast from Washington. The growing sense at the time was that we all had to sit tight and just wait for the inoculation on which pharmaceutical companies were working. 

By summer 2020, you recall what happened. A restless generation of kids fed up with this stay-at-home nonsense seized on the opportunity to protest racial injustice in the killing of George Floyd. Public health officials approved of these gatherings – unlike protests against lockdowns – on grounds that racism was a virus even more serious than Covid. Some of these protests got out of hand and became violent and destructive. 

Meanwhile, substance abuse rage – the liquor and weed stores never closed – and immune systems were being degraded by lack of normal exposure, exactly as the Bakersfield doctors had predicted. Millions of small businesses had closed. The learning losses from school closures were mounting, as it turned out that Zoom school was near worthless. 

It was about this time that Trump seemed to figure out – thanks to the wise council of Dr. Scott Atlas – that he had been played and started urging states to reopen. But it was strange: he seemed to be less in the position of being a president in charge and more of a public pundit, Tweeting out his wishes until his account was banned. He was unable to put the worms back in the can that he had approved opening. 

By that time, and by all accounts, Trump was convinced that the whole effort was a mistake, that he had been trolled into wrecking the country he promised to make great. It was too late. Mail-in ballots had been widely approved, the country was in shambles, the media and public health bureaucrats were ruling the airwaves, and his final months of the campaign failed even to come to grips with the reality on the ground. 

At the time, many people had predicted that once Biden took office and the vaccine was released, Covid would be declared to have been beaten. But that didn’t happen and mainly for one reason: resistance to the vaccine was more intense than anyone had predicted. The Biden administration attempted to impose mandates on the entire US workforce. Thanks to a Supreme Court ruling, that effort was thwarted but not before HR departments around the country had already implemented them. 

As the months rolled on – and four major cities closed all public accommodations to the unvaccinated, who were being demonized for prolonging the pandemic – it became clear that the vaccine could not and would not stop infection or transmission, which means that this shot could not be classified as a public health benefit. Even as a private benefit, the evidence was mixed. Any protection it provided was short-lived and reports of vaccine injury began to mount. Even now, we cannot gain full clarity on the scale of the problem because essential data and documentation remains classified. 

After four years, we find ourselves in a strange position. We still do not know precisely what unfolded in mid-March 2020: who made what decisions, when, and why. There has been no serious attempt at any high level to provide a clear accounting much less assign blame. 

Not even Tucker Carlson, who reportedly played a crucial role in getting Trump to panic over the virus, will tell us the source of his own information or what his source told him. There have been a series of valuable hearings in the House and Senate but they have received little to no press attention, and none have focus on the lockdown orders themselves. 

The prevailing attitude in public life is just to forget the whole thing. And yet we live now in a country very different from the one we inhabited five years ago. Our media is captured. Social media is widely censored in violation of the First Amendment, a problem being taken up by the Supreme Court this month with no certainty of the outcome. The administrative state that seized control has not given up power. Crime has been normalized. Art and music institutions are on the rocks. Public trust in all official institutions is at rock bottom. We don’t even know if we can trust the elections anymore. 

In the early days of lockdown, Henry Kissinger warned that if the mitigation plan does not go well, the world will find itself set “on fire.” He died in 2023. Meanwhile, the world is indeed on fire. The essential struggle in every country on earth today concerns the battle between the authority and power of permanent administration apparatus of the state – the very one that took total control in lockdowns – and the enlightenment ideal of a government that is responsible to the will of the people and the moral demand for freedom and rights. 

How this struggle turns out is the essential story of our times. 

CODA: I’m embedding a copy of PanCAP Adapted, as annotated by Debbie Lerman. You might need to download the whole thing to see the annotations. If you can help with research, please do.

*  *  *

Jeffrey Tucker is the author of the excellent new book 'Life After Lock-Down'

Tyler Durden Mon, 03/11/2024 - 23:40

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Government

Fauci Deputy Warned Him Against Vaccine Mandates: Email

Fauci Deputy Warned Him Against Vaccine Mandates: Email

Authored by Zachary Stieber via The Epoch Times (emphasis ours),

Mandating COVID-19…

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Fauci Deputy Warned Him Against Vaccine Mandates: Email

Authored by Zachary Stieber via The Epoch Times (emphasis ours),

Mandating COVID-19 vaccination was a mistake due to ethical and other concerns, a top government doctor warned Dr. Anthony Fauci after Dr. Fauci promoted mass vaccination.

Coercing or forcing people to take a vaccine can have negative consequences from a biological, sociological, psychological, economical, and ethical standpoint and is not worth the cost even if the vaccine is 100% safe,” Dr. Matthew Memoli, director of the Laboratory of Infectious Diseases clinical studies unit at the U.S. National Institute of Allergy and Infectious Diseases (NIAID), told Dr. Fauci in an email.

“A more prudent approach that considers these issues would be to focus our efforts on those at high risk of severe disease and death, such as the elderly and obese, and do not push vaccination on the young and healthy any further.”

Dr. Anthony Fauci, ex-director of the National Institute of Allergy and Infectious Diseases (NIAID. in Washington on Jan. 8, 2024. (Madalina Vasiliu/The Epoch Times)

Employing that strategy would help prevent loss of public trust and political capital, Dr. Memoli said.

The email was sent on July 30, 2021, after Dr. Fauci, director of the NIAID, claimed that communities would be safer if more people received one of the COVID-19 vaccines and that mass vaccination would lead to the end of the COVID-19 pandemic.

“We’re on a really good track now to really crush this outbreak, and the more people we get vaccinated, the more assuredness that we’re going to have that we’re going to be able to do that,” Dr. Fauci said on CNN the month prior.

Dr. Memoli, who has studied influenza vaccination for years, disagreed, telling Dr. Fauci that research in the field has indicated yearly shots sometimes drive the evolution of influenza.

Vaccinating people who have not been infected with COVID-19, he said, could potentially impact the evolution of the virus that causes COVID-19 in unexpected ways.

“At best what we are doing with mandated mass vaccination does nothing and the variants emerge evading immunity anyway as they would have without the vaccine,” Dr. Memoli wrote. “At worst it drives evolution of the virus in a way that is different from nature and possibly detrimental, prolonging the pandemic or causing more morbidity and mortality than it should.”

The vaccination strategy was flawed because it relied on a single antigen, introducing immunity that only lasted for a certain period of time, Dr. Memoli said. When the immunity weakened, the virus was given an opportunity to evolve.

Some other experts, including virologist Geert Vanden Bossche, have offered similar views. Others in the scientific community, such as U.S. Centers for Disease Control and Prevention scientists, say vaccination prevents virus evolution, though the agency has acknowledged it doesn’t have records supporting its position.

Other Messages

Dr. Memoli sent the email to Dr. Fauci and two other top NIAID officials, Drs. Hugh Auchincloss and Clifford Lane. The message was first reported by the Wall Street Journal, though the publication did not publish the message. The Epoch Times obtained the email and 199 other pages of Dr. Memoli’s emails through a Freedom of Information Act request. There were no indications that Dr. Fauci ever responded to Dr. Memoli.

Later in 2021, the NIAID’s parent agency, the U.S. National Institutes of Health (NIH), and all other federal government agencies began requiring COVID-19 vaccination, under direction from President Joe Biden.

In other messages, Dr. Memoli said the mandates were unethical and that he was hopeful legal cases brought against the mandates would ultimately let people “make their own healthcare decisions.”

“I am certainly doing everything in my power to influence that,” he wrote on Nov. 2, 2021, to an unknown recipient. Dr. Memoli also disclosed that both he and his wife had applied for exemptions from the mandates imposed by the NIH and his wife’s employer. While her request had been granted, his had not as of yet, Dr. Memoli said. It’s not clear if it ever was.

According to Dr. Memoli, officials had not gone over the bioethics of the mandates. He wrote to the NIH’s Department of Bioethics, pointing out that the protection from the vaccines waned over time, that the shots can cause serious health issues such as myocarditis, or heart inflammation, and that vaccinated people were just as likely to spread COVID-19 as unvaccinated people.

He cited multiple studies in his emails, including one that found a resurgence of COVID-19 cases in a California health care system despite a high rate of vaccination and another that showed transmission rates were similar among the vaccinated and unvaccinated.

Dr. Memoli said he was “particularly interested in the bioethics of a mandate when the vaccine doesn’t have the ability to stop spread of the disease, which is the purpose of the mandate.”

The message led to Dr. Memoli speaking during an NIH event in December 2021, several weeks after he went public with his concerns about mandating vaccines.

“Vaccine mandates should be rare and considered only with a strong justification,” Dr. Memoli said in the debate. He suggested that the justification was not there for COVID-19 vaccines, given their fleeting effectiveness.

Julie Ledgerwood, another NIAID official who also spoke at the event, said that the vaccines were highly effective and that the side effects that had been detected were not significant. She did acknowledge that vaccinated people needed boosters after a period of time.

The NIH, and many other government agencies, removed their mandates in 2023 with the end of the COVID-19 public health emergency.

A request for comment from Dr. Fauci was not returned. Dr. Memoli told The Epoch Times in an email he was “happy to answer any questions you have” but that he needed clearance from the NIAID’s media office. That office then refused to give clearance.

Dr. Jay Bhattacharya, a professor of health policy at Stanford University, said that Dr. Memoli showed bravery when he warned Dr. Fauci against mandates.

“Those mandates have done more to demolish public trust in public health than any single action by public health officials in my professional career, including diminishing public trust in all vaccines.” Dr. Bhattacharya, a frequent critic of the U.S. response to COVID-19, told The Epoch Times via email. “It was risky for Dr. Memoli to speak publicly since he works at the NIH, and the culture of the NIH punishes those who cross powerful scientific bureaucrats like Dr. Fauci or his former boss, Dr. Francis Collins.”

Tyler Durden Mon, 03/11/2024 - 17:40

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Trump “Clearly Hasn’t Learned From His COVID-Era Mistakes”, RFK Jr. Says

Trump "Clearly Hasn’t Learned From His COVID-Era Mistakes", RFK Jr. Says

Authored by Jeff Louderback via The Epoch Times (emphasis ours),

President…

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Trump "Clearly Hasn't Learned From His COVID-Era Mistakes", RFK Jr. Says

Authored by Jeff Louderback via The Epoch Times (emphasis ours),

President Joe Biden claimed that COVID vaccines are now helping cancer patients during his State of the Union address on March 7, but it was a response on Truth Social from former President Donald Trump that drew the ire of independent presidential candidate Robert F. Kennedy Jr.

Robert F. Kennedy Jr. holds a voter rally in Grand Rapids, Mich., on Feb. 10, 2024. (Mitch Ranger for The Epoch Times)

During the address, President Biden said: “The pandemic no longer controls our lives. The vaccines that saved us from COVID are now being used to help beat cancer, turning setback into comeback. That’s what America does.”

President Trump wrote: “The Pandemic no longer controls our lives. The VACCINES that saved us from COVID are now being used to help beat cancer—turning setback into comeback. YOU’RE WELCOME JOE. NINE-MONTH APPROVAL TIME VS. 12 YEARS THAT IT WOULD HAVE TAKEN YOU.”

An outspoken critic of President Trump’s COVID response, and the Operation Warp Speed program that escalated the availability of COVID vaccines, Mr. Kennedy said on X, formerly known as Twitter, that “Donald Trump clearly hasn’t learned from his COVID-era mistakes.”

“He fails to recognize how ineffective his warp speed vaccine is as the ninth shot is being recommended to seniors. Even more troubling is the documented harm being caused by the shot to so many innocent children and adults who are suffering myocarditis, pericarditis, and brain inflammation,” Mr. Kennedy remarked.

“This has been confirmed by a CDC-funded study of 99 million people. Instead of bragging about its speedy approval, we should be honestly and transparently debating the abundant evidence that this vaccine may have caused more harm than good.

“I look forward to debating both Trump and Biden on Sept. 16 in San Marcos, Texas.”

Mr. Kennedy announced in April 2023 that he would challenge President Biden for the 2024 Democratic Party presidential nomination before declaring his run as an independent last October, claiming that the Democrat National Committee was “rigging the primary.”

Since the early stages of his campaign, Mr. Kennedy has generated more support than pundits expected from conservatives, moderates, and independents resulting in speculation that he could take votes away from President Trump.

Many Republicans continue to seek a reckoning over the government-imposed pandemic lockdowns and vaccine mandates.

President Trump’s defense of Operation Warp Speed, the program he rolled out in May 2020 to spur the development and distribution of COVID-19 vaccines amid the pandemic, remains a sticking point for some of his supporters.

Vice President Mike Pence (L) and President Donald Trump deliver an update on Operation Warp Speed in the Rose Garden of the White House in Washington on Nov. 13, 2020. (Mandel Ngan/AFP via Getty Images)

Operation Warp Speed featured a partnership between the government, the military, and the private sector, with the government paying for millions of vaccine doses to be produced.

President Trump released a statement in March 2021 saying: “I hope everyone remembers when they’re getting the COVID-19 Vaccine, that if I wasn’t President, you wouldn’t be getting that beautiful ‘shot’ for 5 years, at best, and probably wouldn’t be getting it at all. I hope everyone remembers!”

President Trump said about the COVID-19 vaccine in an interview on Fox News in March 2021: “It works incredibly well. Ninety-five percent, maybe even more than that. I would recommend it, and I would recommend it to a lot of people that don’t want to get it and a lot of those people voted for me, frankly.

“But again, we have our freedoms and we have to live by that and I agree with that also. But it’s a great vaccine, it’s a safe vaccine, and it’s something that works.”

On many occasions, President Trump has said that he is not in favor of vaccine mandates.

An environmental attorney, Mr. Kennedy founded Children’s Health Defense, a nonprofit that aims to end childhood health epidemics by promoting vaccine safeguards, among other initiatives.

Last year, Mr. Kennedy told podcaster Joe Rogan that ivermectin was suppressed by the FDA so that the COVID-19 vaccines could be granted emergency use authorization.

He has criticized Big Pharma, vaccine safety, and government mandates for years.

Since launching his presidential campaign, Mr. Kennedy has made his stances on the COVID-19 vaccines, and vaccines in general, a frequent talking point.

“I would argue that the science is very clear right now that they [vaccines] caused a lot more problems than they averted,” Mr. Kennedy said on Piers Morgan Uncensored last April.

“And if you look at the countries that did not vaccinate, they had the lowest death rates, they had the lowest COVID and infection rates.”

Additional data show a “direct correlation” between excess deaths and high vaccination rates in developed countries, he said.

President Trump and Mr. Kennedy have similar views on topics like protecting the U.S.-Mexico border and ending the Russia-Ukraine war.

COVID-19 is the topic where Mr. Kennedy and President Trump seem to differ the most.

Former President Donald Trump intended to “drain the swamp” when he took office in 2017, but he was “intimidated by bureaucrats” at federal agencies and did not accomplish that objective, Mr. Kennedy said on Feb. 5.

Speaking at a voter rally in Tucson, where he collected signatures to get on the Arizona ballot, the independent presidential candidate said President Trump was “earnest” when he vowed to “drain the swamp,” but it was “business as usual” during his term.

John Bolton, who President Trump appointed as a national security adviser, is “the template for a swamp creature,” Mr. Kennedy said.

Scott Gottlieb, who President Trump named to run the FDA, “was Pfizer’s business partner” and eventually returned to Pfizer, Mr. Kennedy said.

Mr. Kennedy said that President Trump had more lobbyists running federal agencies than any president in U.S. history.

“You can’t reform them when you’ve got the swamp creatures running them, and I’m not going to do that. I’m going to do something different,” Mr. Kennedy said.

During the COVID-19 pandemic, President Trump “did not ask the questions that he should have,” he believes.

President Trump “knew that lockdowns were wrong” and then “agreed to lockdowns,” Mr. Kennedy said.

He also “knew that hydroxychloroquine worked, he said it,” Mr. Kennedy explained, adding that he was eventually “rolled over” by Dr. Anthony Fauci and his advisers.

President Donald Trump greets the crowd before he leaves at the Operation Warp Speed Vaccine Summit in Washington on Dec. 8, 2020. (Tasos Katopodis/Getty Images)

MaryJo Perry, a longtime advocate for vaccine choice and a Trump supporter, thinks votes will be at a premium come Election Day, particularly because the independent and third-party field is becoming more competitive.

Ms. Perry, president of Mississippi Parents for Vaccine Rights, believes advocates for medical freedom could determine who is ultimately president.

She believes that Mr. Kennedy is “pulling votes from Trump” because of the former president’s stance on the vaccines.

“People care about medical freedom. It’s an important issue here in Mississippi, and across the country,” Ms. Perry told The Epoch Times.

“Trump should admit he was wrong about Operation Warp Speed and that COVID vaccines have been dangerous. That would make a difference among people he has offended.”

President Trump won’t lose enough votes to Mr. Kennedy about Operation Warp Speed and COVID vaccines to have a significant impact on the election, Ohio Republican strategist Wes Farno told The Epoch Times.

President Trump won in Ohio by eight percentage points in both 2016 and 2020. The Ohio Republican Party endorsed President Trump for the nomination in 2024.

“The positives of a Trump presidency far outweigh the negatives,” Mr. Farno said. “People are more concerned about their wallet and the economy.

“They are asking themselves if they were better off during President Trump’s term compared to since President Biden took office. The answer to that question is obvious because many Americans are struggling to afford groceries, gas, mortgages, and rent payments.

“America needs President Trump.”

Multiple national polls back Mr. Farno’s view.

As of March 6, the RealClearPolitics average of polls indicates that President Trump has 41.8 percent support in a five-way race that includes President Biden (38.4 percent), Mr. Kennedy (12.7 percent), independent Cornel West (2.6 percent), and Green Party nominee Jill Stein (1.7 percent).

A Pew Research Center study conducted among 10,133 U.S. adults from Feb. 7 to Feb. 11 showed that Democrats and Democrat-leaning independents (42 percent) are more likely than Republicans and GOP-leaning independents (15 percent) to say they have received an updated COVID vaccine.

The poll also reported that just 28 percent of adults say they have received the updated COVID inoculation.

The peer-reviewed multinational study of more than 99 million vaccinated people that Mr. Kennedy referenced in his X post on March 7 was published in the Vaccine journal on Feb. 12.

It aimed to evaluate the risk of 13 adverse events of special interest (AESI) following COVID-19 vaccination. The AESIs spanned three categories—neurological, hematologic (blood), and cardiovascular.

The study reviewed data collected from more than 99 million vaccinated people from eight nations—Argentina, Australia, Canada, Denmark, Finland, France, New Zealand, and Scotland—looking at risks up to 42 days after getting the shots.

Three vaccines—Pfizer and Moderna’s mRNA vaccines as well as AstraZeneca’s viral vector jab—were examined in the study.

Researchers found higher-than-expected cases that they deemed met the threshold to be potential safety signals for multiple AESIs, including for Guillain-Barre syndrome (GBS), cerebral venous sinus thrombosis (CVST), myocarditis, and pericarditis.

A safety signal refers to information that could suggest a potential risk or harm that may be associated with a medical product.

The study identified higher incidences of neurological, cardiovascular, and blood disorder complications than what the researchers expected.

President Trump’s role in Operation Warp Speed, and his continued praise of the COVID vaccine, remains a concern for some voters, including those who still support him.

Krista Cobb is a 40-year-old mother in western Ohio. She voted for President Trump in 2020 and said she would cast her vote for him this November, but she was stunned when she saw his response to President Biden about the COVID-19 vaccine during the State of the Union address.

I love President Trump and support his policies, but at this point, he has to know they [advisers and health officials] lied about the shot,” Ms. Cobb told The Epoch Times.

“If he continues to promote it, especially after all of the hearings they’ve had about it in Congress, the side effects, and cover-ups on Capitol Hill, at what point does he become the same as the people who have lied?” Ms. Cobb added.

“I think he should distance himself from talk about Operation Warp Speed and even admit that he was wrong—that the vaccines have not had the impact he was told they would have. If he did that, people would respect him even more.”

Tyler Durden Mon, 03/11/2024 - 17:00

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